LIVERPOOL: THE BIRTHPLACE OF THE BEATLES
How did growing up in post-WWII Liverpool influence the Beatles?
In 1940—the year John Lennon and Ringo Starr were born—the Nazis bombed Liverpool every other day. These attacks were part of the Blitz, a military strategy designed to demoralize the European Allies with relentless bombing of strategic and civilian locations in England and Northern Ireland. Because the majority of war supplies shipped from abroad (mainly the United States) entered Great Britain through the Liverpool docks, the port city was a key target throughout the war. Lennon and Starr were too young to remember the constant air raids, but they and the other Beatles certainly experienced the effects of the war as children and young adults. When they were in elementary school, much of the city was still in ruins, unemployment was high, and food rationing—which continued until 1954—was a part of daily life.
The Nazis, in obvious contrast, never bombed the United States, which enjoyed an economic boom in the postwar period. The Beatles and other European youths saw the U.S. as a land of hope and optimism. With American support, the Liverpool docks once again filled with ships in the postwar years. As Marshall Plan aid helped rebuild Liverpool’s economy, the transmission of American culture—especially movies and music—also inspired the area's youth. Merchant seamen known as the Cunard Yanks traveled to New York City and returned to Liverpool wearing American fashion and carrying American recordings, including Blues, Country, and Rock and Roll.
In this lesson, students will work in groups to discover how growing up in post-WWII Liverpool influenced the Beatles, nurtured their fascination with American music and culture, and helped them become a force that would in turn take American culture by storm in the 1960s.
Video pages: Gerry Marsden - American Music Brought to Liverpool (2009) | Gerry Marsden - Skiffle (2009) | Lonnie Donegan - Wabash Cannonball (1958) | Cunard Yanks | George Formby - Leaning on the Lamp Post (1937) | The Beatles - Maxwell's Silver Hammer (1968) | Graham Nash - Skiffle | Steven Van Zandt - The U.S. and England after WWII
Image pages: British Railways, Map of Manchester and Liverpool area, 1960 | Children in Liverpool wearing gas masks and protective clothing during the Blitz, 1942 | Liverpool Blitz, 1942 | Liverpool Dockworkers, 1962 | Map of England, Liverpool Highlighted | Marshall Plan Care Package, 1950 | Marshall Plan Poster, 1950 | The Beatles, Albert Dock area of Liverpool UK | The Cavern Club, Liverpool, 1963
1. Distribute Handout 1: Growing Up in Liverpool. Instruct students to complete the questions on the handout during the discussion.
2. Display a map of the world on a projector or Smartboard. (If these are not available, you may wish to duplicate printouts of maps and distribute them to students.) Ask students to locate Great Britain and the United States on the map.
4. Discuss the following questions, reminding students to take notes on the handout:
5. Ask students how living in a port city might have affected the things residents were able to buy in an era before air travel and shipping were commonplace. Would they have been exposed to new things before others living inland?
6. Ask students to define the term “cultural diffusion.” If students have not encountered this term in prior studies, the instructor should define it as the spread of culture from one geographic location to another.
7. Ask students to imagine they have been hired to help one of the Beatles write his autobiography. They have been assigned to work specifically on the chapter discussing the way growing up in Liverpool influenced their Beatle as a young man. They will work in small groups and use their newfound knowledge of history and geography to help their Beatle enrich his book.
8. Divide students into six groups of no more than four students each. If the class is large, create duplicate groups.
9. Distribute Handout 2: The Autobiography of a Beatle. Distribute the handouts for Group 1, Group 2, Group 3 (Required video: Gerry Marsden on "American Music Brought to Liverpool," the Beatles performing "Maxwell's Silver Hammer," George Formby performing "Leaning on a Lamp Post"), Group 4, Group 5 (Required video: "Cunard Yanks," Gerry Marsden on "American Music Brought to Liverpool"), and Group 6 (Required video: "Wabash Cannonball," Gerry Marsden on Skiffle, Graham Nash on Skiffle). These contain source materials for each group's section of the autobiography, including photographs, quotations, and videos. Be sure to assemble all the materials, including a video station, prior to the start of the lesson.
10. Instruct each group to read the directions on its handout and complete the activity as directed. You can collect the sections and compile a complete autobiography; alternatively, students could collaborate online to share their biographies, creating one complete autobiography per class. (If your school does not provide its own platform for a class website, many are available on the Internet, such as a shared Google document or a blog site).
How was life in postwar Britain different from life in America during the same period? How might this discrepancy have affected the timing of the British Invasion launched by the Beatles, which arrived roughly a decade after Elvis recorded his first single?
College and Career Readiness Reading Anchor Standards for Grades 6-12 for Literature and Informational Text
Reading 3: Analyze how and why individuals, events, and ideas develop and interact over the course of a text.
Reading 4: Interpret words and phrases as they are used in a text, including determining technical, connotative, and figurative meanings, and analyze how specific word choices shape meaning or tone.
College and Career Readiness Writing Anchor Standards for Grades 6-12 in English Language Arts and Literacy in History/Social Studies, Science and Technical Subjects
Writing 3: Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.
Writing 4: Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.
Writing 6: Use technology, including the Internet, to produce and publish writing and to interact and collaborate with others.
College and Career Readiness Anchor Standards for Speaking and Listening for Grades 6-12
Speaking and Listening 1: Prepare for and participate effectively in a range of conversations and collaborations with diverse partners, building on others’ ideas and expressing their own clearly and persuasively.
Speaking and Listening 4: Present information, findings, and supporting evidence such that listeners can follow the line of reasoning and the organization, development, and style are appropriate to task, purpose, and audience.
College and Career Readiness Anchor Standards for Language for Grades 6-12
Theme 4: Individual Development and Identity
Theme 9: Global Connections
Core Music Standard: Responding
Select: Choose music appropriate for a specific purpose or context.
Analyze: Analyze how the structure and context of varied musical works inform the response.
Interpret: Support interpretations of musical works that reflect creators' and/or performers' expressive intent.
Evaluate: Support evaluations of musical works and performances based on analysis, interpretation, and established criteria.
Core Music Standard: Connecting
Connecting 11: Relate musical ideas and works to varied contexts and daily life to deepen understanding.