Below you'll see everything we could locate for your search of “"Muddy Waters"”
How did Muddy Waters’ music change after he moved to Chicago, and what does that say about the relationship between place and self-expression?
(1915 – 1983) A Mississippi native who rose to prominence in Chicago in the early 1950s, Muddy Waters is one the most esteemed figures in Blues, and a seminal figure in the postwar electrification of acoustic Delta Blues. He was a major influence on many Rock musicians of the 1960s, revered in particular among players who made up the British Blues scene. Waters was born McKinley Morganfield in 1915, and raised on the Stovall Plantation in the Delta town of Clarksdale, Mississippi. At age five Waters began to play harmonica and as a teen he taught himself guitar, emulating the style...
"WOW, YOU guys are really getting it on!" exclaimed Chuck Berry, observing the Rolling Stones cut 'Down The Road Apiece', a track he'd recorded himself just a few years earlier. It was June, 1964, and this youthful British beat band were happily messing around at the Chess studio in Chicago as their older black musical idols watched on, intrigued. In the background Little Walter and Sonny Boy Williamson argued loudly about a woman from Kentucky. Muddy Waters, whose song 'Rollin' Stone', had supplied the English band with its moniker, even helped them bring in their equipment. Later on, they chatted...
IN THE short space of seven months in the 1930s, a slender youth from Robinsonville, Mississippi, recorded twenty-nine blues sides in madeshift conditions, and a year later he was dead. But these two sessions, in Dallas and San Antonio, contain the greatest legend the blues has ever known, and precipitated a whole string of tales, theories, fancies and fabrications about the man which present such a incongruous pastiche when woven together that indeed Johnson’s life, his sudden fame and immediate death, is reminiscent of the kind of mysteries usually recounted exclusively in black magic anthologies. But as that great authority...
THEY COULD hardly have been a bigger contrast in background and appearance: the young, very tall, bright white Englishman Long John Baldry, and the mature, short, dark brown American John Lee Hooker. But they had the blues in common and when I brought Baldry and Hooker together recently they got along like old friends. John Lee was amazed that Long John, who is a mere 23, has been listening to blues records for 11 years "Yes, the first disc I bought was Muddy Water singing 'Honey Bee' on French Vogue. Then I got another French Vogue, Big Bill Broonzy's 'Blues...
TO PARAPHRASE the titles of two of the 20 Bo Diddley nuggets contained on His Best: The Chess 50th Anniversary Collection , you can't judge a book by its cover but you sure can tell something about how important a musician is by the artists who do cover versions of his songs. That's not to imply that Bo Diddley's legacy rests solely on the interpretations of his music by others. The rich body of work contained here offers ample testament to the multiple talents--as singer, songwriter, guitarist and creator of one of the archetypal rock rhythms--the man born Ellas McDaniels displayed on...
"Will he burn it tonight?" asked a neat blonde of her boyfriend, squashed in beside her on the packed floor of the Fillmore auditorium. "He did at Monterey," the boyfriend said, recalling the Pop Festival at which the guitarist, in a moment of elation, actually put a match to his guitar. The blonde and her boyfriend went on watching the stage, crammed with huge silver-fronted Fender amps, a double drum set, and whispering stage hands. Mitch Mitchell, the drummer, came on first, sat down, smiled, and adjusted his cymbals. Then came bassist Noel Redding, gold glasses glinting on his...
"WHEN I FIRST started Atlantic Records," reflects the label founder, Ahmet Ertegun, "I intended to make good blues and jazz music, as well as some pop music. My main interest was in jazz and blues." In the nearly 45 years since Ertegun and his original partner Herb Abramson first got together with this idea (and $10,000 from Ertegun's dentist), Atlantic has become one of the most consistently successful companies in music. So much the paradigm of the post WWII growth of the music business, Charlie Gillett used them for his model in his chronicle, Making Tracks. "The late 50s were a time...
Reporting for Newsweek took me to Monterey. I'd gone to work for Newsweekright out of college in 1965 – I was a reporter in the London bureau whenRubber Soul came out, Carnaby Street was jumping, and the Who were at the Marquee. In January '67, just as the '60s musical-social ball was bouncing westward, Newsweek moved me to San Francisco. I arrived in time for the Human Be-In and soon was hanging out at the Avalon and Fillmore, interviewing Jerry and Janis, and covering student demonstrations in Berkeley. In May I began to hear rumours of a huge hippie festival: all the best new bands...
The King of Jive Who Made The Good Times Roll IF BILL HALEY AND ELVIS PRESLEY have to be dubbed the father and king of rock’n’roll, then Louis Jordan must be considered its godfather. Practically all of the black American rhythm and blues, rock’n’roll and early soul stars who upset the Fifties have cited Jordan as the main man of their youth and several of the white rock’n’rollers have acknowledged his influence or recorded his songs. Certain elements of rock’n’roll were developing even before Jordan appeared on the scene and others cropped up after his heyday. But most were completely...
