Overview

The argument carries on: did Punk come from the States or was it England's creation? As this chapter explores, important phases in Punk's development happened on both side of the Atlantic. But no one would be claiming it for their own were it not for the fact that Punk Rock is widely considered among the most influential musical movements of the 20th century. Punk may not have sparked enormous record sales, but in almost every other way it affected popular music's direction and identity.

In New York, with the club CBGB a kind of catalyst site, the band the Ramones emerged well before English Punk was in U.K. headlines. But there's no doubt that, no matter who came first, what happened in England gave a burst of energy and a tremendous amount of attention to Punk movements everywhere, including New York.

As has been widely noted, and will be discussed in the lessons that are coming, the economic situation in England provided fertile soil for the dissent that Punk promoted. Young people were facing terrible job prospects. The working classes felt their opportunities diminishing. The Punk of the Sex Pistols offered some of these disenchanted young people an enormous release. The connection between the bands and the audience was intense, physical, at times dangerous. But the Sex Pistols, quickly a global phenomenon, lasted for only a short time amidst the media surge that followed them.

Quite differently, the Clash went on to become Punk's most successful group, maintaining their political thrust even as they departed stylistically from where they began. If the Sex Pistols crashed, the Clash grew. The Ramones, maintaining a stylistic consistency, carried on at a much lower level of success, but earned such a reputation and produced such well-crafted Rock and Roll that they may be the best remembered.

Above any individual group, however, it's the idea of Punk that remains the most important contribution. Like early Rock and Roll, Punk came along and shook everything up, a reminder that this can happen again and again.

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Lessons

lesson:
Punk as Reaction

Grades: High, Middle
Subjects: Art/Design, Social Studies/History

How was Punk Rock a reaction both to the commercialization of Rock and Roll and to the social climate in late 1970s Britain?

lesson:
The Black Origins of Punk

Grades: High, Middle
Subjects: ELA, General Music

How did the bands X-Ray Spex, Bad Brains, and Death define Punk on their own terms?

lesson:
Chicana Punk and the Chicano Movement

Grades: High
Subjects: Ethnic Studies, General Music, Social Studies/History

What is Chicana Punk, how does it relate to the Chicano Movement, and how did it transform the Punk music scene?

Featured Resources

Video

video:
Keith Richards: Interview, ABC News Archives

<p>The argument carries on: did Punk come from the States or was it England's creation? As this chapter explores, important phases in Punk's development happened on both side of the Atlantic. But no one would be claiming it for their own were it not for the fact that Punk Rock is widely considered among the most influential musical movements of the 20th century. Punk may not have sparked&nbsp;enormous record sales, but in almost every other way it affected popular music's direction and identity.</p> <p>In New York, with the club CBGB&nbsp;a kind of catalyst site, the band the Ramones emerged well before English Punk was in U.K. headlines. But there's no doubt that, no matter who came first, what happened in England gave a burst of energy and a tremendous amount of attention to Punk movements everywhere, including New York.</p> <p>As has been widely noted, and will be discussed in the lessons that are coming, the economic situation in England provided fertile soil&nbsp;for the dissent that Punk promoted. Young people were facing terrible job prospects. The working classes felt their opportunities diminishing. The Punk of the Sex Pistols offered&nbsp;some of these disenchanted young people an enormous release. The connection between the bands and the audience was intense, physical, at times dangerous. But the Sex Pistols, quickly a global phenomenon, lasted for only a short time amidst the media surge that followed them.</p> <p>Quite differently, the Clash went on to become Punk's most successful group, maintaining their political thrust even as they departed stylistically from where they began. If the Sex Pistols crashed, the Clash grew. The Ramones, maintaining a stylistic consistency, carried on at a much lower level of success, but earned such a reputation and produced such well-crafted Rock and Roll that they may be the best&nbsp;remembered.</p> <p>Above any individual group, however, it's the idea of Punk that remains the most important contribution. Like early Rock and Roll, Punk came along and shook everything up, a reminder that this can happen again&nbsp;and again.</p>

video:
Discussing the Music Scene

<p>The argument carries on: did Punk come from the States or was it England's creation? As this chapter explores, important phases in Punk's development happened on both side of the Atlantic. But no one would be claiming it for their own were it not for the fact that Punk Rock is widely considered among the most influential musical movements of the 20th century. Punk may not have sparked&nbsp;enormous record sales, but in almost every other way it affected popular music's direction and identity.</p> <p>In New York, with the club CBGB&nbsp;a kind of catalyst site, the band the Ramones emerged well before English Punk was in U.K. headlines. But there's no doubt that, no matter who came first, what happened in England gave a burst of energy and a tremendous amount of attention to Punk movements everywhere, including New York.</p> <p>As has been widely noted, and will be discussed in the lessons that are coming, the economic situation in England provided fertile soil&nbsp;for the dissent that Punk promoted. Young people were facing terrible job prospects. The working classes felt their opportunities diminishing. The Punk of the Sex Pistols offered&nbsp;some of these disenchanted young people an enormous release. The connection between the bands and the audience was intense, physical, at times dangerous. But the Sex Pistols, quickly a global phenomenon, lasted for only a short time amidst the media surge that followed them.</p> <p>Quite differently, the Clash went on to become Punk's most successful group, maintaining their political thrust even as they departed stylistically from where they began. If the Sex Pistols crashed, the Clash grew. The Ramones, maintaining a stylistic consistency, carried on at a much lower level of success, but earned such a reputation and produced such well-crafted Rock and Roll that they may be the best&nbsp;remembered.</p> <p>Above any individual group, however, it's the idea of Punk that remains the most important contribution. Like early Rock and Roll, Punk came along and shook everything up, a reminder that this can happen again&nbsp;and again.</p>

video:
Punk’s Emergence

<p>The argument carries on: did Punk come from the States or was it England's creation? As this chapter explores, important phases in Punk's development happened on both side of the Atlantic. But no one would be claiming it for their own were it not for the fact that Punk Rock is widely considered among the most influential musical movements of the 20th century. Punk may not have sparked&nbsp;enormous record sales, but in almost every other way it affected popular music's direction and identity.</p> <p>In New York, with the club CBGB&nbsp;a kind of catalyst site, the band the Ramones emerged well before English Punk was in U.K. headlines. But there's no doubt that, no matter who came first, what happened in England gave a burst of energy and a tremendous amount of attention to Punk movements everywhere, including New York.</p> <p>As has been widely noted, and will be discussed in the lessons that are coming, the economic situation in England provided fertile soil&nbsp;for the dissent that Punk promoted. Young people were facing terrible job prospects. The working classes felt their opportunities diminishing. The Punk of the Sex Pistols offered&nbsp;some of these disenchanted young people an enormous release. The connection between the bands and the audience was intense, physical, at times dangerous. But the Sex Pistols, quickly a global phenomenon, lasted for only a short time amidst the media surge that followed them.</p> <p>Quite differently, the Clash went on to become Punk's most successful group, maintaining their political thrust even as they departed stylistically from where they began. If the Sex Pistols crashed, the Clash grew. The Ramones, maintaining a stylistic consistency, carried on at a much lower level of success, but earned such a reputation and produced such well-crafted Rock and Roll that they may be the best&nbsp;remembered.</p> <p>Above any individual group, however, it's the idea of Punk that remains the most important contribution. Like early Rock and Roll, Punk came along and shook everything up, a reminder that this can happen again&nbsp;and again.</p>

video:
Sheena is a Punk Rocker

<p>The argument carries on: did Punk come from the States or was it England's creation? As this chapter explores, important phases in Punk's development happened on both side of the Atlantic. But no one would be claiming it for their own were it not for the fact that Punk Rock is widely considered among the most influential musical movements of the 20th century. Punk may not have sparked&nbsp;enormous record sales, but in almost every other way it affected popular music's direction and identity.</p> <p>In New York, with the club CBGB&nbsp;a kind of catalyst site, the band the Ramones emerged well before English Punk was in U.K. headlines. But there's no doubt that, no matter who came first, what happened in England gave a burst of energy and a tremendous amount of attention to Punk movements everywhere, including New York.</p> <p>As has been widely noted, and will be discussed in the lessons that are coming, the economic situation in England provided fertile soil&nbsp;for the dissent that Punk promoted. Young people were facing terrible job prospects. The working classes felt their opportunities diminishing. The Punk of the Sex Pistols offered&nbsp;some of these disenchanted young people an enormous release. The connection between the bands and the audience was intense, physical, at times dangerous. But the Sex Pistols, quickly a global phenomenon, lasted for only a short time amidst the media surge that followed them.</p> <p>Quite differently, the Clash went on to become Punk's most successful group, maintaining their political thrust even as they departed stylistically from where they began. If the Sex Pistols crashed, the Clash grew. The Ramones, maintaining a stylistic consistency, carried on at a much lower level of success, but earned such a reputation and produced such well-crafted Rock and Roll that they may be the best&nbsp;remembered.</p> <p>Above any individual group, however, it's the idea of Punk that remains the most important contribution. Like early Rock and Roll, Punk came along and shook everything up, a reminder that this can happen again&nbsp;and again.</p>

video:
The Punk Movement

<p>The argument carries on: did Punk come from the States or was it England's creation? As this chapter explores, important phases in Punk's development happened on both side of the Atlantic. But no one would be claiming it for their own were it not for the fact that Punk Rock is widely considered among the most influential musical movements of the 20th century. Punk may not have sparked&nbsp;enormous record sales, but in almost every other way it affected popular music's direction and identity.</p> <p>In New York, with the club CBGB&nbsp;a kind of catalyst site, the band the Ramones emerged well before English Punk was in U.K. headlines. But there's no doubt that, no matter who came first, what happened in England gave a burst of energy and a tremendous amount of attention to Punk movements everywhere, including New York.</p> <p>As has been widely noted, and will be discussed in the lessons that are coming, the economic situation in England provided fertile soil&nbsp;for the dissent that Punk promoted. Young people were facing terrible job prospects. The working classes felt their opportunities diminishing. The Punk of the Sex Pistols offered&nbsp;some of these disenchanted young people an enormous release. The connection between the bands and the audience was intense, physical, at times dangerous. But the Sex Pistols, quickly a global phenomenon, lasted for only a short time amidst the media surge that followed them.</p> <p>Quite differently, the Clash went on to become Punk's most successful group, maintaining their political thrust even as they departed stylistically from where they began. If the Sex Pistols crashed, the Clash grew. The Ramones, maintaining a stylistic consistency, carried on at a much lower level of success, but earned such a reputation and produced such well-crafted Rock and Roll that they may be the best&nbsp;remembered.</p> <p>Above any individual group, however, it's the idea of Punk that remains the most important contribution. Like early Rock and Roll, Punk came along and shook everything up, a reminder that this can happen again&nbsp;and again.</p>

video:
Garageland

<p>The argument carries on: did Punk come from the States or was it England's creation? As this chapter explores, important phases in Punk's development happened on both side of the Atlantic. But no one would be claiming it for their own were it not for the fact that Punk Rock is widely considered among the most influential musical movements of the 20th century. Punk may not have sparked&nbsp;enormous record sales, but in almost every other way it affected popular music's direction and identity.</p> <p>In New York, with the club CBGB&nbsp;a kind of catalyst site, the band the Ramones emerged well before English Punk was in U.K. headlines. But there's no doubt that, no matter who came first, what happened in England gave a burst of energy and a tremendous amount of attention to Punk movements everywhere, including New York.</p> <p>As has been widely noted, and will be discussed in the lessons that are coming, the economic situation in England provided fertile soil&nbsp;for the dissent that Punk promoted. Young people were facing terrible job prospects. The working classes felt their opportunities diminishing. The Punk of the Sex Pistols offered&nbsp;some of these disenchanted young people an enormous release. The connection between the bands and the audience was intense, physical, at times dangerous. But the Sex Pistols, quickly a global phenomenon, lasted for only a short time amidst the media surge that followed them.</p> <p>Quite differently, the Clash went on to become Punk's most successful group, maintaining their political thrust even as they departed stylistically from where they began. If the Sex Pistols crashed, the Clash grew. The Ramones, maintaining a stylistic consistency, carried on at a much lower level of success, but earned such a reputation and produced such well-crafted Rock and Roll that they may be the best&nbsp;remembered.</p> <p>Above any individual group, however, it's the idea of Punk that remains the most important contribution. Like early Rock and Roll, Punk came along and shook everything up, a reminder that this can happen again&nbsp;and again.</p>

video:
Blackout New York

<p>The argument carries on: did Punk come from the States or was it England's creation? As this chapter explores, important phases in Punk's development happened on both side of the Atlantic. But no one would be claiming it for their own were it not for the fact that Punk Rock is widely considered among the most influential musical movements of the 20th century. Punk may not have sparked&nbsp;enormous record sales, but in almost every other way it affected popular music's direction and identity.</p> <p>In New York, with the club CBGB&nbsp;a kind of catalyst site, the band the Ramones emerged well before English Punk was in U.K. headlines. But there's no doubt that, no matter who came first, what happened in England gave a burst of energy and a tremendous amount of attention to Punk movements everywhere, including New York.</p> <p>As has been widely noted, and will be discussed in the lessons that are coming, the economic situation in England provided fertile soil&nbsp;for the dissent that Punk promoted. Young people were facing terrible job prospects. The working classes felt their opportunities diminishing. The Punk of the Sex Pistols offered&nbsp;some of these disenchanted young people an enormous release. The connection between the bands and the audience was intense, physical, at times dangerous. But the Sex Pistols, quickly a global phenomenon, lasted for only a short time amidst the media surge that followed them.</p> <p>Quite differently, the Clash went on to become Punk's most successful group, maintaining their political thrust even as they departed stylistically from where they began. If the Sex Pistols crashed, the Clash grew. The Ramones, maintaining a stylistic consistency, carried on at a much lower level of success, but earned such a reputation and produced such well-crafted Rock and Roll that they may be the best&nbsp;remembered.</p> <p>Above any individual group, however, it's the idea of Punk that remains the most important contribution. Like early Rock and Roll, Punk came along and shook everything up, a reminder that this can happen again&nbsp;and again.</p>

Print Journalism

article:
Punk Rock: Its Day Will Come

IF YOU thought Jefferson Airplane was a weird name, let some of these drop off your tongue. Talking Heads. Tuff Darts. Ramones. Planets. Heartbreakers. Shirts. Television. Day Old Bread. Manster. They are names of some of the better known of hundreds of New York area bands, often categorized under the catch-all "punk rock" or "punk bands," that are attracting rock fans to lower Manhattan clubs like CBGB, Mothers and Max's Kansas City. That definition is misleading, because the punkiest thing about most of the bands is their names. They represent a variety of musical styles and competence levels. Some, like Television...

article:
The Sex Pistols are four months old…

THE SEX PISTOLS are four months old, so tuned in to the present that it's hard to find a place to play. Yet they already have a large, fanatical following. So their manager, who runs a rubber and leather shop called Sex, hired a strip club where the two sides could meet. The small, sleazoid El Paradise Club in Soho is not one of the more obvious places for English rock to finally get to grips with the '70s, but when you're trying to create the atmosphere of anarchy, rebellion and exclusiveness that's necessary as a breeding ground, what better...