Grade: High
Subject: Social Studies/History
Share:

Essential Question

How did the Harlem Renaissance represent the New Negro Movement, and what role did music play in this context?

Overview

“Art must discover and reveal the beauty which prejudice and caricature have overlaid.”

– Alain Locke

In this lesson students will investigate the influence of the Great Migration on the Harlem Renaissance. As part of their investigation, they will identify how the New Negro Movement challenged racial stereotypes by showcasing the talent, pride, and creativity of Black Americans, which has impacted music and culture for generations. During this investigation students will examine primary and secondary source documents, analyze maps, and interpret photographs.

The Great Migration was and still remains one of the largest movements of people in United States history. It is estimated that between 1910-1970, 6 million Black Americans left the U.S. South in search of greater social and economic opportunity, and to escape ever escalating racial violence and oppressive Jim Crow laws. Occuring in two waves, the first wave of migration was between 1910 and 1940, and the cities of Chicago, Detroit, Pittsburgh, and New York were the main target destinations.

These recently “freed” American citizens sought their share of the American dream that had been promised, then systematically denied to them. They longed for the freedom to be safe, the freedom to create, the freedom to embrace their own cultural identity, and the freedom to love whomever they love. After World War I, when Black American soldiers fought for their country only to return home to face racist attitudes and policies, the “New Negro Movement” emerged. This convergence of ideas rooted in self-determination emphasized a new sense of pride and identity, creativity and self-expression, economic opportunity, independence, and progressively inclusive politics. Nowhere was this more evident, alive, loud, and proud than in Harlem, New York.

In many ways, the neighborhood of Harlem was the crown jewel of the Great Migration – a wonderful crossroads of culture, artistry, and individual expression. The artists who migrated, created, and performed there were fundamental in the development of what would become known as the Harlem Renaissance. They are the ancestors of our modern Soul and Hip Hop artists, who are still defining how their community is represented, how their art is presented, and how their message is interpreted. Three brilliant, talented, and provocative artists emerged from this renaissance: Mamie Smith, often-considered the first Black American singer to record a Blues song; Ma Rainey, the Mother of the Blues; and Bessie Smith, the Empress of the Blues, who brought Black music into the mainstream and possessed a defiant spirit that is essential to Blues, Rock, and Soul music even after 100 years. The legacies of these musicians inspired and continue to inspire artists today, both with their foundational music recordings as well as challenging the boundaries of sexual identity that place them among the earliest allies of the LGBTQ+ movement.

Mamie Smith, born in Cincinnati in 1891, began her career at a young age by initially performing in Vaudeville shows. However, in 1920, after a white singer backed out of a contract, a fledgling record label executive gave Smith a chance to record, eventhough the prevailing racist attitude in the music industry was that Black people wouldn’t buy records. From that session, her recording of the song “Crazy Blues” sold 75,000 copies in one month in Harlem alone. It was a popular song that spoke of racial violence and terrorism against Smith’s community. It has been said that if you walked through Harlem in 1921, “Crazy Blues” was the soundtrack of the community, blaring out of windows in a unifying chorus of solidarity akin to when the Beatles hit America.

Gertrude “Ma” Rainey was born to an impoverished family in Georgia in 1886 – just about 20 years after the Emancipation Proclamation. Her humble beginnings gave rise to a brash spirit that gained her a reputation as the Mother of the Blues, the artform that eventually gave rise to Jazz, Rhythm and Blues, and of course, Rock and Roll. When Rainey sang: “Went out last night with a crowd of my friends…They must’ve been women, ‘cause I don’t like no men,” and when she continuously referenced her own lesbian and bisexual tendencies in her songs, the boundaries of sexual orientation and freedom were forever expanded.

Bessie Smith from Chattanooga, Tennessee, was born in 1894. She was the most popular female Blues singer of the 1930s and she is regarded as one of the greatest singers of her era. Smith was a major influence on Blues singers such as Billie Holiday, Etta James, and Janis Joplin, and she was inducted into the Rock & Roll Hall of Fame in 1989. Although she died at age 43, Smith recorded over 150 songs. John Hammond, the influential music producer and civil rights activist, once said of Bessie Smith: “To my way of thinking, Bessie Smith was the greatest artist American jazz ever produced; in fact, I’m not sure that her art did not reach beyond the limits of ‘jazz.’ She was one of those rare beings, a completely integrated artist capable of projecting her whole personality into her music.”

View More

Objectives

  • Know (knowledge):
    • The impact of the Great Migration in transforming cities in the North and Midwest, and how that migration impacted the lives of Black citizens who had left the Jim Crow South
    • How Alain Locke’s New Negro Movement challenged stereotypes and negative portrayals of Black individuals in media and popular culture
    • How the Harlem Renaissance provided the platform for how Black artists represented themselves
    • How Blues musicians Ma Rainey, Bessie Smith, and Mamie Smith exemplified the “New Negro” ideal
  • Mastery Objective
    • Students will be able to assess the significance of the Harlem Renaissance and the New Negro Movement by analyzing texts, examining media, and interpreting primary source documents.

Activities

Disclaimer:

This lesson contains primary source documents and other materials that may include terms and images reflecting the attitudes, perspectives, and beliefs of different times that today are considered offensive and demeaning. Teachrock.org does not endorse the views expressed in these documents, but recognizes the value such materials provide for historical inquiry. For guidance on introducing controversial historical materials into the classroom, we suggest reviewing this document from The Library of Congress: https://blogs.loc.gov/teachers/2011/11/dealing-with-difficult-subjects-in-primary-sources.

Motivational Activity:

A black and white photograph of a parade. Well-dressed Black men in pork pie hats line up along the street. A Model-T style car drives on the road. The car is full of people, one holds a sign that says "The New Negro Has No Fear"

By James Van Der Zee – https://digitalcollections.nypl.org/items/510d47df-7943-a3d9-e040-e00a18064a99, Public Domain, https://commons.wikimedia.org/w/index.php?curid=58295118

  1. Display Image 1, Universal Negro Improvement Association (UNIA) Parade in Harlem. Break students into groups and distribute to each group Handout – The Harlem Renaissance Graphic Organizer. Using the photograph above, have student groups complete Part 1 of the graphic organizer.
  2. Once student groups have completed Part 1, ask each group to share the three most important questions they have about the photograph. Write the questions on the board and explain to students that they will determine how many of the questions were answered by the end of the lesson.

Procedure

The detailed version of this map can be found in Handout - The Harlem Renaissance Graphic Organizer

Geological Survey, U.S, and Arch C Gerlach. The national atlas of the United States of America. Washington, 1970. Map. https://www.loc.gov/item/79654043/.

  1. Display Image 2, Map from U.S. Geological Survey. Instruct student groups to complete the map analysis in Part 2 of Handout – The Harlem Renaissance Graphic Organizer. Once completed, have groups share their answers. Then, ask students:
    • What might be some push factors (reasons to leave the South) and pull factors (reasons to move to other regions) be? (Encourage students to use their acquired knowledge of the Jim Crow South, S\segregation, and resistance to integration to guide their discussions.)
    • Moving somewhere new offers the possibility of re-inventing oneself. How might Black Americans want to reinvent themselves after moving North?
  2. Play the YouTube video, “Rise of the New Negro: Identity and Resistance After the Red Summer | Great Migrations”.  Then, ask students:
    • What were some social and political changes that defined the New Negro Movement?
    • What role might art and literature play during the New Negro Movement?
    • Why do you think some Black people invested in creative expression such as music, art, and dance in the Jim Crow era?
  3. Instruct student groups to complete Part 3 of the Handout – The Harlem Renaissance Graphic Organizer. After reading the biography and completing the question, have student groups share their answers with the class. The text reads: Each year, the National Recording Registry at the Library of Congress chooses 25 recordings showcasing the range and diversity of American recorded sound heritage in order to increase preservation awareness. The diversity of nominations received highlights the richness of the nation's audio legacy and underscores the importance of assuring the long-term preservation of that legacy for future generations. Currently, there are 600 works/titles on the National Recording Registry.
  4. Display Image 3, The National Recording Registry Selection Process. Ask students:
    • What is the purpose of the National Recording Registry? (To preserve, highlight, and celebrate important recordings in American music history.)
    • Where is the National Recording Registry housed? (The Library of Congress.)
    • How might recordings be selected to be included in the registry? (Works that collectively showcase “the range and diversity of American recorded sound heritage”.)
  5. Distribute to student groups Document Set – 3 Songs from the 1920s Included in the National RegistryExplain that they will be examining essays about three songs from the 1920s which justify their inclusion in the National Registry. Instruct student groups to divide the readings, and collectively fill out the questions in Part 4 of Handout – The Harlem Renaissance Graphic Organizer. Ask groups to report on their discussions to the class.

Summary Activity:

  1. Direct student groups to return to the 3 most important questions they wrote at the beginning of the lesson (question #5 on Part 1 of Handout – The Harlem Renaissance Graphic Organizer) and to have a brief conversation on which questions were answered and which were not. Instruct student groups to share a summary of their conversation with the class. Then, ask students:
    • Locke felt that Black cultural accomplishment was a means to elevate Black social standing in the United States. Do you believe this is true, and remains true today? Why or why not?

Extension Activities:

  1. If applicable, research questions you felt weren’t answered during the motivational activity. Report to the class the answer to the question your group asked, and how you came to the answer.
  2. Choose one of the three artists presented in this lesson (Bessie Smith, Mamie Smith, Ma Rainey). Create a projects of your own design that celebrates and showcases the lives and contributions of each of these artists. The project might be:
    • An annotated playlist of songs from the artist.
    • An examination of the artist’s legacy and how they influenced future generations of musicians.
      A further exploration of the ways the artists’ career was or was not exemplary of Locke’s idea of the “New Negro”
  3. To learn more about the Harlem Renaissance, view these lessons from TeachRock:
  4. Read “The Whites Invade Harlem” from the Library of Congress. Write an essay considering:
    • What factors contributed to the growing interest of white audiences in Black culture during the Harlem Renaissance?
    • How did the artistic expressions of Black artists during the Harlem Renaissance attract white audiences?
    • In what ways did the Harlem Renaissance challenge existing racial stereotypes, and how did this impact white perceptions of Black culture?
    • Describe the role of Jazz music in bridging the cultural gap between Black and white communities during the Harlem Renaissance.
    • Did the white people mentioned in the reading feel the works of the Harlem Renaissance were equal to white cultural achievements?”
  5. Explore additional resources from the Library of Congress: Introduction – Harlem Renaissance – Research Guides at Library of Congress.
  6. Read, Respond, and Discuss “Ma Rainey’s Lesbian Lyrics: 5 Times She Expressed Her Queerness in Song | Billboard”.
  7. Read, Respond, and Discuss: Smithsonian Collections Blog: “Prove It on Me: Ma Rainey and the Queer Blues”.
  8. Read “Shut Up and Play: A Brief History from The African American Folklorist” and write an essay considering connections to the Harlem Renaissance and the present, and how the concept of the “New Negro” are in some forms still in discussion today.

Standards

College, Career, and Civic Life (C3) Social Studies Standards

History

  • D2.His.1.9-12. Evaluate how historical events and developments were shaped by unique circumstances of time and place as well as broader historical contexts.
  • D2.His.2.9-12. Analyze change and continuity in historical eras.
  • D2.His.5.9-12. Analyze how historical contexts shaped and continue to shape people’s perspectives.

California History–Social Science Content Standards

11.5 Students analyze the major political, social, economic, technological, and cultural developments of the 1920s.

  • 5.Describe the Harlem Renaissance and new trends in literature, music, and art, with special attention to the work of writers (e.g., Zora Neale Hurston, Langston Hughes).

District of Columbia Social Studies Standards

  • US2.37 Analyze the impact of the Harlem Renaissance and the Black Renaissance in Washington, DC on American culture, including analysis of literature, music, dance, theater, queer culture and scholarship from the period.

Massachusetts History and Social Science Framework Standards

Topic 2. Modernity in the United States: ideologies and economies [USII.T2]

  • Analyze primary sources (e.g., documents, audio or film recordings, works of art and artifacts), to develop an argument about how the conflict between traditionalism and modernity manifested itself in the major societal trends and events in first two decades of the 20th century.

Connecticut Elementary and Secondary Social Studies Standards

US-4. The 1920s, Great Depression, and New Deal

  • US.His.6.a. Analyze how authors, artists, and musicians documented perspectives and experiences of individuals and groups throughout the interwar period (e.g., Jacob Lawrence, Dorthea Lange, Langston Hughes, Billie Holiday, Yasuo Kuniyoshi, Magdalena Carmen Frida Kahlo y Calderón).

New Jersey Student Learning Standards – Social Studies

Era 8. The Emergence of Modern America: Roaring Twenties (1890–1930)

  • 6.1.12.EconNE.8.a: Analyze the push-pull factors that led to the Great Migration.
  • 6.1.12.HistoryCC.8.c: Identify the conditions that gave rise to the Harlem Renaissance and assess the impact of artists, writers, and musicians on American culture.

Social Studies – National Council for the Social Studies (NCSS)

  • Theme 1: Culture
  • Theme 2: Time, Continuity, and Change
  • Theme 3: People, Place, and Environments
  • Theme 5: Individuals, Groups, and Institutions

Common Core State Standards

College and Career Readiness Reading Literature Standards for Grades 9-12

  • CCSS.ELA-Literacy.RL.9-10.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • CCSS.ELA-Literacy.RL.9-10.2 Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.
  • CCSS.ELA-Literacy.RL.11-12.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain.
  • CCSS.ELA-Literacy.RL.11-12.2 Determine two or more themes or central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to produce a complex account; provide an objective summary of the text.

College and Career Readiness Reading Information Text Standards for Grades 9-12

  • CCSS.ELA-Literacy.RI.9-10.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • CCSS.ELA-Literacy.RI.9-10.2 Determine a central idea of a text and analyze its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.
  • CCSS.ELA-Literacy.RI.11-12.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain.
  • CCSS.ELA-Literacy.RI.11-12.2 Determine two or more central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to provide a complex analysis; provide an objective summary of the text.

College and Career Readiness Anchor Standards for Writing for Grades 9-12

  • CCSS.ELA-Literacy.W.9-10.1 Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.
  • CCSS.ELA-Literacy.W.9-10.2 Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content.
  • CCSS.ELA-Literacy.W.9-10.7 Conduct short as well as more sustained research projects to answer a question (including a self-generated question) or solve a problem; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation.
  • CCSS.ELA-Literacy.W.9-10.9 Draw evidence from literary or informational texts to support analysis, reflection, and research.
  • CCSS.ELA-Literacy.W.11-12.1 Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.
  • CCSS.ELA-Literacy.W.11-12.2 Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content.
  • CCSS.ELA-Literacy.W.11-12.7 Conduct short as well as more sustained research projects to answer a question (including a self-generated question) or solve a problem; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation.

College and Career Readiness Anchor Standards for Speaking and Listening for Grades 9-12

  • CCSS.ELA-Literacy.SL.9-10.1 Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9-10 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively.
  • CCSS.ELA-Literacy.SL.9-10.2 Integrate multiple sources of information presented in diverse media or formats (e.g., visually, quantitatively, orally) evaluating the credibility and accuracy of each source.
  • CCSS.ELA-Literacy.SL.9-10.4 Present information, findings, and supporting evidence clearly, concisely, and logically such that listeners can follow the line of reasoning and the organization, development, substance, and style are appropriate to purpose, audience, and task.
  • CCSS.ELA-Literacy.SL.11-12.1 Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 11-12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively.
  • CCSS.ELA-Literacy.SL.11-12.2 Integrate multiple sources of information presented in diverse formats and media (e.g., visually, quantitatively, orally) in order to make informed decisions and solve problems, evaluating the credibility and accuracy of each source and noting any discrepancies among the data.
  • CCSS.ELA-Literacy.SL.11-12.4 Present information, findings, and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or opposing perspectives are addressed, and the organization, development, substance, and style are appropriate to purpose, audience, and a range of formal and informal tasks.

Recommended Lessons

lesson:
The Blues: The Sound of Rural Poverty

Grades: High, Middle
Subjects: Social Studies/History
Activities: Maps, Station Activities, Textual Analysis, Visual Analysis, Visual Design

How do the Country Blues reflect the challenges of sharecropping, racial injustice, and rural poverty in early 20th-century African-American life?

lesson:
The Rolling Stones: Giving America Back the Blues

Grades: High
Subjects: Social Studies/History
Activities: Role Playing, Textual Analysis, Visual Design

How did the early Rolling Stones help popularize the Blues?

lesson:
Divergent Paths in the 1990s: Gangsta Rap and Conscious Hip Hop

Grades: High
Subjects: ELA, Social Studies/History
Activities: Role Playing, Textual Analysis

How did Gangsta Rap and Conscious Hip Hop respond to the social and political conditions of the 1990s?

lesson:
The Roots of Hip Hop

Grades: High
Subjects: ELA, Social Studies/History
Activities: Charts and Graphs, Maps, Timeline, Visual Analysis

What are the roots of Hip Hop?